We walk and talk to search your true home / Moomin Family goes on a picnic to see Kannon, WAITINGROOM, September 2014
Steam, Smoke, and Onshi, Self Publishing, September 2013

Does the Future Sleep Here? ——Revisiting the museum’s response to contemporary art after 65 years, March 2024, The National Museum of Western Art
We walk and talk to search your true home, November 2023, Tokyo Metropolitan Human Rights Plaza
DAZZLER Co-program 2022 Category B, November 2023, HAYASHI Shuhei
“OLD LONG STAY” screening in Kyoto, 15 October 2022, Screening in Kyoto Executive Committee
Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic, 9 August 2022, Mori Art Museum
Yokohama Triennale 2020 Afterglow, April 2021, Organizing Committee for Yokohama Triennale
APMoA Project, ARCH 2012-2017, March 2019, Aichi Prefectural Museum of Art
Nice to meet you Artechnik, April 2018, T&M Projects
How to collect the world, March 2018, Tomonotsu Museum
SENSOU-GA STUDIES, 2017, SENSOU-GA STUDIES Executive Committee
Setouchi Triennale 2016, June 2017, Setouchi Triennale Executive Committee
Doing history!, March 2017, Fukuoka Art Museum
PLAY A RECORD, 11 February 2017, MOT Satellite 2017 - by the deep rovers, remo
The 4th Tobi Selection Group Exhibition, 2016, archive, Tokyo Metropolitan Art Museum
Fake History, 2016, +journal
APMoA Project, ARCH vol.16: Yuki IIYAMA “Temporary home, Final home”, August 2015, Aichi Prefectural Museum of Art
Art Fair Tokyo 2015, 18 March 2015, Art Fair Tokyo Executive Committee

“18 Notable Newcomers as Selected by Critics and Curators”, Bijyutsu no Mado, No. 188, Seikatsu no Tomo Sha, May 2024, p. 75
［Discussion] Iiyama, Yuki + Park, Sara "Standing on the Extension of the History of Massacre", Gendai Shiso, Extra Special Issue (Vol. 51, No. 10), Seidosha, September 2023, pp. 8-20
“Roundtable Discussion: How to Use 'SHŪZŌ'? The Way to Utilize the Collection Database Considering with Artists,” Art Platform Japan, Art Platform Japan, 26 March 2023, https://artplatform.go.jp/ja/programs/conversations5
“A Directory of Japanese Who Will Create the 21st Century”, Asahi Shimbun, The Asahi Shimbun Company, 14 March 2023, p. 29
Yuki Iiyama “Yuki Iiyama, who is holding a special exhibition at the Human Rights Plaza, Censorship for the voiceless bequeathed through art,” Femin Fujin Minshu Shimbun, The General Incorporated Association Women's Democratic Club, 25 November 2022, p. 1
Miyahara Jeffrey “Human Rights for Whom?”, Art Collectors, No.166, Seikatsu no Tomo Sha, January 2023, pp.116-117
H.G.Masters, “Tokyo Government Censors Film About Koreans in Pre-War Japan”, Art Asia Pacific, Art Asia Pacific Ltd., 7 November 2022, https://artasiapacific.com/news/tokyo-government-censors-film-about-koreans-in-pre-war-japan
Hiroshi Dai “Tokyo Metropolitan Government refuses to screen a film about Korean patients before World War II. Artists protested that it was an act of censorship”, The Syukan Kinyobi, No.1399, The Syukan Kinyobi Ltd., 4 November 2022, p.７
Toshichika Izumi, Mari Saito [Special Thanks], Carrie Edwards [Translator] “Welcome picks artist Iiyama for Mindscapes”, Sustainable Japan by The Japan Times, THE JAPAN TIMES CUBE INC, 28 October 2022, https://sustainable.japantimes.com/magazine/vol17/17-04
Nodoka Odawara "Gururu-kyorokyoro Exhibition Review No. 29: Questioning the Inner Reality of "Human Rights", Geijutsu Shincho, No. 895, Shincho-sha, November 2022, p.114
Bong-in Lee "The Fact of Discrimination, Not Neglected / ‘OLD LONG STAY’ Screening After Talk", Chosun Ilbo, Chosun Ilbo, 19 October 2022, https://chosonsinbo.com/jp/2022/10/19-112/
Bong-in Lee “Inform, connect, and take a step toward solving the problem / Screening of ‘OLD LONG STAY’, a film related to the issue of Korean residents in Japan without pensions”, Chosun Ilbo, Chosun Ilbo, 19 October 2022, https://chosonsinbo.com/jp/2022/10/19-111/
Sakiko Takahashi “Exhibitions: ‘Listen to the Sound of the Earth Turning’ and more, depicting the world of ‘you’ = Review by
Sakiko Takahashi”, The Mainichi Newspapers, The Mainichi Newspapers Co., 12 October 2022, p. 4, https://mainichi.jp/articles/20221012/dde/014/040/002000c
Sanghae Kwon “Art world: Japan LISTEN TO THE SOUND OF THE EARTH TUNING OUR WELLBEINGSINCE THE PANDEMIC, Imagining life though art after the pandemic”, PUBLIC ART, art in post, September 2022, p.112
Nodoka Odawara “Yuki Iiyama's Response to Domestic Violence and Gender Disparity. What has emerged from the exhibition at the Mori Art Museum?”, web Bijutsu Techo, Culture Convenience Club,11 September 2022, https://bijutsutecho.com/magazine/interview/25981
"Listen to the Sound of the Earth Turning: Our Well Being since the Pandemic", Metropolitana tokyo, vol. 235, Sankei Shimbun Sha, September 2022, p.18
"A Directory of Japanese Who Will Create the 21st Century vol.139", AERA, no. 1927, Asahi Shimbun Publications, 29 August 2022
Nodoka Odawara "Review: ‘Listen to the Sound of the Earth Turning: Our Well Being since the Pandemic’ Living with Others in Challenging Age", Tokyo Shimbun, The Chunichi Shimbun, 26 August 2022, p.3
Fumie Iwamoto "New Dialogue in a Changing Daily Life -- Art exhibition questioning wellbeing under the influence of COVID-19 ", Nihon Keizai Shimbun, Nikkei Inc., 22 August 2022, p.10
“Contemporary ‘Well-Being’ through Art. 16 artists from Japan and abroad gather at Mori Art Museum” web Bijutsu Techo, Culture Convenience Club, 29 June 2022, https://bijutsutecho.com/magazine/news/report/25735
Natsuko Fukushima “’Happiness’ and ‘health’ after the Corona disaster are considered through the works of 16 artists. Report of the exhibition ‘Listen to the Sound of the Earth Turning: Our Well Being since the Pandemic’”, Tokyo Art Beat, Tokyo Art Beat, 28 June 2022, https://www.tokyoartbeat.com/articles/-/listen-to-the-sound-of-the-earth-report-2022
“Looking for New Japanese contemporary art –RECOMMEND-098 YUKI IIYAMA”, Casa BRUTUS, extra issue, Magazine House, May 2022, p. 181
"Facing the Issues of 'Disability' and 'Ethnicity'", Toyo Keizai Daily, Toyo Keizai Daily Inc., 28 January 2022
“How to face art, illuminating the life beside us. Ken Sasaki x Yuki Iiyama”, Bijutsu Techo, No.1092, Bijutsu Shuppan Sha, Feburary 2022, pp. 54-63
“The Japan Foundation decides to cancel video work on Korean mental patients in Japan", Chosun Ilbo, Chosun Ilbo, 21 September 2021, https://www.chosonsinbo.com/jp/2021/09/18-49top-2/
" Art is a vessel for conversation and engagement / Artist Yuki Iiyama", Chosun Ilbo, Chosun Ilbo, 21 September 2021, https://www.chosonsinbo.com/jp/2021/09/18-49/
"In a corner of the exhibition room", Chosun Ilbo, Chosun Ilbo, 24 September 2020, https://www.chosonsinbo.com/jp/2020/09/24-19/
Tomoko Kuroiwa “Review: Afterglow - 7th Yokohama Triennale 2020”, Flash Art, #332, Flash Art s.r.l., Fall 2020, p. 206
Daisuke Miyatsu “Daisuke Miyatsu's New Media Art, File 38 Yuki Iiyama”, Art Collectors, No.139, Seikatsu no Tomo Sha, October 2020, p.102
Koichiro Osaka “7th Yokohama Triennale, ‘Afterglow’”, ART AGENDA, FAITH Co., Ltd., 8 September 2020, https://www.art-agenda.com/features/346966/7th-yokohama-triennale-afterglow
Edward M. Gómez, “A Triennale In Tune With Our Pandemic-Affected Moment”, HYPERALLERGIC, Hyperallergic Media Inc., 1 August 2020, https://hyperallergic.com/579446/2020-yokohama-triennale-during-pandemic/
Taro Nettleton “Yokohama Triennale 2020 ‘Afterglow’ Review: Must the Show Go On?”, ArtReview, ArtReview Ltd., 29 July 2020, https://artreview.com/yokohama-triennale-2020-afterglow-review-must-the-show-go-on/
“Yokohama Triennale 2020 opens. What is the future of art beyond the COVID-19?”, web Bijutsu Techo, Bijutsu Shuppan Sha, 17 July 2020, https://bijutsutecho.com/magazine/news/report/22348
“Japanese contemporary art summary”, Casa BRUTUS, No.243, Magazine House, June 2020, p.107
Akihito Suzuki "Mental Illness and Art Part 3: Interview with Yuki Iiyama (Part 2) / Akihito Suzuki (Keio University) and Yuki Iiyama (Artist)", Medical history and social dialogue, 17 February 2020, https://igakushitosyakai.jp/interview/post-2269/
Akihito Suzuki "Mental Illness and Art Part 3: Interview with Yuki Iiyama (Part 2) / Akihito Suzuki (Keio University) and Yuki Iiyama (Artist)", Medical history and social dialogue, 17 February 2020, https://igakushitosyakai.jp/interview/post-2115/
Satoshi Koganezawa, “Expression of technique to live”, Bijutsu Techo, No.1064, Bijutsu Shuppan Sha, February 2018, pp. 172-173
Koji Takeguchi “title unknown”, Nikkei Shinbun Kyushu edition, NEWS SERVICE NIKKEI, 7 July 2017
Saori Tsukamoto (Keio University) “Psychiatry and Art-The imagination of Yuki Iiyama”, Medical history and social dialogue, 17 May 2017, https://igakushitosyakai.jp/article/post-141/
Nao Kimura, “UNKNOWN”, NEW ERA Ladies, 2016
“Artist at Galllery 6 2016 vol.1 Yuki Iiyama ‘100 Living Tales’”, Benesse Art Site Naoshima, Benesse Art Site Naoshima, 19 Augst 2016, http://benesse-artsite.jp/en/story/20160819-670.html
“Art of ‘Reading’ Part 3 Enjoying the shape of book or character”, Art Collectors, No.89, Seikatsu no Tomo Sha, August 2016, p. 34
Shotaro Watanabe “Kagawa, 100 Living Tales, Yuki Iiyama, Setouchi Triennale 2016”, Asahi Newspaper Digital, Asahi Shimbun Company, 2 April 2016, http://www.asahi.com/articles/ASJ3M6FF4J3MPLXB016.html
Sachiko Shoji “Margin for a place and exit”, Bijutsu Techo, No.1031, Bijutsu Shuppan Sha, December 2015, pp.184-185,
Yoko Nose “Yuki IIYAMA ‘Temporary home, Final home’ (APMoA Project, ARCH Vol.16)”, artscape, DNP Communications Co., Ltd., 1 September 2015, http://artscape.jp/report/curator/10114137_1634.html
Mihoko Nishikawa (Moderator and Constitution) “Cross Talk: Research/Archive/Narrative What can art talk? Thinking of ‘Words’ and ‘History’, Motoyuki Shitamichi x Futoshi Miyagi x Shun Sasa x Yuki Iiyama”, Bijutsu Techo, No.1021, Bijutsu Shuppan Sha, May 2015, pp. 96-101
“Newcomer Artists Who was Found in Art Fair”, Bijutsu no Mado, No.380, Seikatsu no Tomo Sha, May 2015, p. 79
Kotaro Shimada “Playing by oneself and soft reality”, Bijutsu Techo, No.1016, Bijutsu Shuppan Sha, December 2014, p. 237
“ART NAVI: Yuki Iiyama solo exhibition ‘We walk and talk to search your true home / Moomin Family goes on a picnic to see Kannon’”, Bijutsu Techo, No.1012, Bijutsu Shuppan Sha, October 2014, p. 15
“What she saw, what she feels, what she told – Yuki Iiyama solo exhibition We walk and talk to search your true home / Moomin Family goes on a picnic to see Kannon”, TOKYO HEADLINE, vol.646, HEADLINE Inc., 13 September 2014
Reiko Matsumoto “Yuki Iiyama solo exhibition Moomin Family goes on a picnic to see Kannon in Ebisu”, FASHION HEADLINE, Fashion Headline Ltd., 11 September 2014, http://www.fashion-headline.com/article/2014/09/11/7660.html
Yumi Song “Interview with Yuki Iiyama”, Arafudo Art Annual 2014, Arfudo Art Annual, 5 September 2014, htttp://arafudo.net/interview-with-yukiiiyama/
Aya Shomura “Yuki Iiyama solo exhibition We walk and talk to search your true home / Moomin Family goes on a picnic to see Kannon”, SHIFT, Shift Japan, 23 August 2014, http://www.shift.jp.org/ja/blog/2014/08/yuki-iiyama-solo-exhibition/
Haruko Kumakura “Hoping for the return of the forgotten ones”, Bijutsu Techo, No.995, Bijutsu Shuppan Sha, November 2013, pp. 204-205,
“ART NAVI: Interview”, Bijutsu Techo, No.994, Bijutsu Shuppan Sha, September 2013

Aichi Prefectural Museum of Art, Aichi, Japan
Fukuoka Art Museum, Fukuoka, Japan