We walk and talk to search your true home / Moomin Family goes on a picnic to see Kannon, September 2014, WAITINGROOM
Steam, Smoke, Onshi (Empress’s gifts), September 2013, Self Publishing

DAZZLER Co-program 2022 Category B, November 2023, HAYASHI Shuhei
Listen to the Sound of the Earth Turning: Our Wellbeing since the Pandemic, catalogue, Aug.9, 2022, Mori Art Museum
Yokohama Triennale 2020 Afterglow, catalogue, Apr. 2021, Organizing Committee for Yokohama Triennale
APMoA Project, ARCH 2012-2017, catalogue, Mar. 2019, Aichi Prefectural Museum of Art
Nice to meet you Artechnik, catalogue, Apr. 2018, T&M Projects
How to collect the world, catalogue, Mar. 2018, Tomonotsu Museum
SENSOU-GA STUDIES, catalogue, 2017, SENSOU-GA STUDIES Executive Committee
Setouchi Triennale 2016, catalogue, Jun. 2017, Setouchi Triennale Executive Committee
Doing history!, catalogue, March 2017, Fukuoka Art Museum
PLAY A RECORD, MOT Satellite 2017 - by the deep rovers, catalogue, Feb. 11 2017, remo
The 4th Tobi Selection Group Exhibition, archive catalogue, 2016, Tokyo Metropolitan Art Museum
APMoA Project, ARCH vol.16: Yuki IIYAMA “Temporary home, Final home”, Brochure, Aug. 2015, Aichi Prefectural Museum of Art
Art Fair Tokyo 2015, Catalogue, Mar. 18 2015, Art Fair Tokyo Executive Committee

’18 Notable Newcomers as Selected by Critics and Curators,’ “Bijyutsu no Mado” No. 188, May 2024, Seikatsu no tomo sya, p. 75
［Discussion] Iiyama, Yuki + Park, Sara, "Standing on the Extension of the History of Massacre", Gendai Shiso, Seidosha, September 2023, Extra Special Issue (Vol. 51, No. 10), pp. 8-20.
“A Directory of Japanese Who Will Create the 21st Century”, Asahi Shimbun, Mar. 14, p.29
Miyahara Jeffrey, “Human Rights for Whom?”, Art Collectors, No.166, Jan 2023, Seikatsu no Tomo Sha, p116-117
H.G.Masters, “Tokyo Government Censors Film About Koreans in Pre-War Japan”, Art Asia Pacific, Nov. 7, 2022, https://artasiapacific.com/news/tokyo-government-censors-film-about-koreans-in-pre-war-japan
Hiroshi Dai, “Tokyo Metropolitan Government refuses to screen a film about Korean patients before World War II. Artists protested that it was an act of censorship”, The Syukan Kinyobi No.1399, Nov.,4, 2022, p.７
Toshichika Izumi, Mari Saito [Special Thanks], Carrie Edwards [Translator], “Wellcome picks artist Iiyama for Mindscapes”, Sustainable Japan by The Japan Times, Oct. 28, 2022, https://sustainable.japantimes.com/magazine/vol17/17-04
Nodoka Odawara, "Gururu-kyorokyoro Exhibition Review No. 29: Questioning the Inner Reality of "Human Rights", Geijutsu Shincho, Shincho-sha, Nov. 2022, p.114.
"The Fact of Discrimination, Not Neglected / "OLD LONG STAY" Screening After Talk", Choson Sinbo, Oct. 19, 2022, https://chosonsinbo.com/jp/2022/10/19-112/
"Inform, connect, and take a step toward solving the problem / Screening of "OLD LONG STAY," a film related to the issue of Korean residents in Japan without pensions", Choson Sinbo, Oct. 19, 2022, https://chosonsinbo.com/jp/2022/10/19-111/
Sakiko Takahashi “Exhibitions: "Listen to the Sound of the Earth Turning" and more, depicting the world of "you" = Review by Sakiko Takahashi”, Mainichi Shimbun, p.4, Oct. 12, 2022, https://mainichi.jp/articles/20221012/dde/014/040/002000c
Sanghae Kwon “Art world: Japan LISTEN TO THE SOUND OF THE EARTH TUNING OUR WELLBEINGSINCE THE PANDEMIC, Imagining life though art after the pandemic”, PUBLIC ART Sep. 2022, art in post, p.112
Nodoka Odawara “Yuki Iiyama's Response to Domestic Violence and Gender Disparity. What has emerged from the exhibition at the Mori Art Museum?”, web Bijutsu Techo, Sep. 11, 2022, https://bijutsutecho.com/magazine/interview/25981
"Listen to the Sound of the Earth Turning: Our Well Being since the Pandemic", Metropolitana tokyo, vol.235、Sep. 2022, Sankei Shimbun Sha, p.18, https://metropolitana.tokyo/ja/archive/metropolitana235special-02
"A Directory of Japanese Who Will Create the 21st Century vol.139", AERA, vol. 1927, Asahi Shimbun Publications, p. 81
Nodoka Odawara "Review: "Listen to the Sound of the Earth Turning: Our Well Being since the Pandemic" Living with Others in Challenging Age", Tokyo Shimbun, Aug. 26, 2022, p.3
Fumie Iwamoto "New Dialogue in a Changing Daily Life -- Art exhibition questioning wellbeing under the influence of COVID-19 ", Nihon Keizai Shimbun, Aug. 22, 2022, p.10
“Contemporary "Well-Being" through Art. 16 artists from Japan and abroad gather at Mori Art Museum” web Bijutsu Techo, June 29, 2022, https://bijutsutecho.com/magazine/news/report/25735
Natsuko Fukushima ““Happiness" and "health" after the Corona disaster are considered through the works of 16 artists. Report of the exhibition “Listen to the Sound of the Earth Turning: Our Well Being since the Pandemic””, Tokyo Art Beat, June 28, 2022, https://www.tokyoartbeat.com/articles/-/listen-to-the-sound-of-the-earth-report-2022
“Looking for New Japanese contemporary art –RECOMMEND-098 YUKI IIYAMA”, Casa BRUTUS extra issue, p. 181, May. 2022, Magazine House
"Facing the Issues of 'Disability' and 'Ethnicity'," Toyo Keizai Nippo, Jan. 28, 2022
“How to face art, illuminating the life beside us. Ken Sasaki x Yuki Iiyama”, Bijutsu Techo, No.1092, Feb. 2022, p.54-63, Bijutsu Shuppan Sha
"The Japan Foundation decides to cancel video work on Korean mental patients in Japan," Choson Sinbo, Sep. 21, 2021, https://www.chosonsinbo.com/jp/2021/09/18-49top-2/
" Art is a vessel for conversation and engagement / Artist Yuki Iiyama," Choson Sinbo, Sep. 21, 2021, https://www.chosonsinbo.com/jp/2021/09/18-49/
“In a corner of the exhibition room," Choson Shinbo, Sep. 24, 2020, https://www.chosonsinbo.com/jp/2020/09/24-19/
Tomoko Kuroiwa, "Afterglow - 7th Yokohama Triennale 2020”, Review, Flash Art, #332 Fall 2020, p.206
Daisuke Miyatsu, “Daisuke Miyatsu's New Media Art, File 38 Yuki Iiyama”, Art Collectors, No.139, Oct. 2020, p.102, Seikatsu no Tomo Sha
Koichiro Osaka “7th Yokohama Triennale, ‘Afterglow’” ART AGENDA, Sep. 8th, 2020, https://www.art-agenda.com/features/346966/7th-yokohama-triennale-afterglow
Edward M. Gómez, “A Triennale In Tune With Our Pandemic-Affected Moment”, HYPERALLERGIC, Aug. 1 2020, Hyperallergic Media Inc., https://hyperallergic.com/579446/2020-yokohama-triennale-during-pandemic/
Taro Nettleton, “Yokohama Triennale 2020 ‘Afterglow’ Review: Must the Show Go On?”, Art Review, Jul. 29 2020, https://artreview.com/yokohama-triennale-2020-afterglow-review-must-the-show-go-on/
“Yokohama Triennale 2020 opens. What is the future of art beyond the COVID-19?”, web Bijutsu Techo, Jul. 17 2020, Bijutsu Shuppan Sha, https://bijutsutecho.com/magazine/news/report/22348
“Japanese contemporary art summary”, “Casa BRUTUS”, No.243, Jun. 2020, p.107, Magazine House
Akihito Suzuki, "Mental Illness and Art Part 3: Interview with Yuki Iiyama (Part 2) / Akihito Suzuki (Keio University) and Yuki Iiyama (Artist)," Medical history and social dialogue, Feb. 17, 2020, https://igakushitosyakai.jp/interview/post-2269/
Akihito Suzuki, "Mental Illness and Art Part 3: Interview with Yuki Iiyama (Part 2) / Akihito Suzuki (Keio University) and Yuki Iiyama (Artist)," Medical history and social dialogue, Feb. 17, 2020, https://igakushitosyakai.jp/interview/post-2115/
Satoshi Koganezawa, “Expression of technique to live”, Bijutsu Techo, No.1064, Feb. 2018, p.172-173, Bijutsu Shuppan Sha
Koji Takeguchi, Nikkei Shinbun Kyushu edition, Jul. 7 2017, NEWS SERVICE NIKKEI
Saori Tsukamoto (Keio University), “Psychiatry and Art-The imagination of Yuki Iiyama”, Medical history and social dialogue, May 17 2017, https://igakushitosyakai.jp/article/post-141/
Fake history, +journal, 2016 (Essay)
Nao Kimura, “UNKNOWN”, NEW ERA Ladies ZINE, 2016
Artist at Galllery 6 2016 vol.1 Yuki Iiyama “100 Living Tales”, Benesse Art Site Naoshima, Aug.19 2016, http://benesse-artsite.jp/en/story/20160819-670.html
Art of “Reading” Part 3 Enjoying the shape of book or character, Art Collectors, No.89, Aug. 2016, p.34, Seikatsu no Tomo Sha
Shotaro Watanabe, “Kagawa, 100 Living Tales, Yuki Iiyama, Setouchi Triennale 2016”, Asahi Newspaper Digital, Apr. 2 2016, http://www.asahi.com/articles/ASJ3M6FF4J3MPLXB016.html
Sachiko Shoji, “Margin for a place and exit”, Bijutsu Techo, No.1031, Dec. 2015, p.184-185, Bijutsu Shuppan Sha
APMoA Project, ARCH vol.16 Yuki IIYAMA, Bijutsu Techo No.1026, Sep.2015, ART NAVI p.17, Bijutsu Shuppan Sha
Yoko Nose, “Yuki IIYAMA Temporary home, Final home (APMoA Project, ARCH Vol.16)”, artscape, Sep. 1 2015, http://artscape.jp/report/curator/10114137_1634.html
Mihoko Nishikawa (Moderator and Constitution), “Cross Talk: Research/Archive/Narrative What can art talk? Thinking of “Words” and “History”. Motoyuki Shitamichi x Futoshi Miyagi x Shun Sasa x Yuki Iiyama”, Bijutsu Techo, No.1021, May 2015, p.96-101, Bijutsu Shuppan Sha
“Newcomer Artists Who was Found in Art Fair”, Bijutsu no Mado, No.380, May 2015, p.79, Seikatsu no Tomo Sha
Kotaro Shimada, “Playing by oneself and soft reality”, Bijutsu Techo, No.1016, Dec. 2014, p.237, Bijutsu Shuppan Sha
Yuki Iiyama solo exhibition “We walk and talk to search your true home / Moomin Family goes on a picnic to see Kannon”, Bijutsu Techo, No.1012, Oct. 2014, ART NAVI p.15, Bijutsu Shuppan Sha
“What she saw, what she feels, what she told – Yuki Iiyama solo exhibition We walk and talk to search your true home / Moomin Family goes on a picnic to see Kannon”, TOKYO HEADLINE, vol.646, Sep. 13 2014
Reiko Matsumoto “Yuki Iiyama solo exhibition Moomin Family goes on a picnic to see Kannon in Ebisu”, FASHION HEADLINE, Sep.11 2014, http://www.fashion-headline.com/article/2014/09/11/7660.html
Yumisong “Interview with Yuki Iiyama”, Arafudo Art Annual 2014, Sep.5 2014, http://arafudo.net/interview-with-yukiiiyama/
Aya Shomura” Yuki Iiyama solo exhibition We walk and talk to search your true home / Moomin Family goes on a picnic to see Kannon”, SHIFT, Aug. 23 2014 http://www.shift.jp.org/ja/blog/2014/08/yuki-iiyama-solo-exhibition/
Haruko Kumakura, Bijutsu Techo, No.995, Nov. 2013, Bijutsu Shuppan Sha
Interview, Bijutsu Techo, No.994, Sept. 2013, ART NAVI, Bijutsu Shuppan Sha

Aichi Prefectural Museum of Art, Aichi
Fukuoka Art Museum, Fukuoka