Yuki IIYAMA "We walk and talk to search your true home / Moomin Family goes on a picnic to see Kannon"

9/13 (Sat.) - 11/1 (Sat.), 2014 *Extended
Opening Reception: 9/13 (Sat.) 6-9pm

*Open on Friday through Sunday 1-7pm and Monday 5-11pm
*The exhibition will open at 1pm before the opening reception on Saturday, 9/13.
The artists will attend the reception at 6-9pm.
Installation View
Works
We walk and talk to search your home / Moomin Family goes on a picnic to see Kannon
2014
slides, text, sound
hidden names
2014
Single channel video, sound, 46min03sec.
Mooming Family goes on a picnic to see Kannon
2014
from the set of 95 positive films
Mooming Family goes on a picnic to see Kannon
2014
from the set of 95 positive films
We walk and talk to search your true home
2013
Single channel video, sound, 33min.52sec
手紙
2014
便せん4枚、カーボン紙の転写、額縁、 50 x 50 cm
※妹が入院していた際に、患者への規則を割とゆるく解釈し、見ていてくれた看護士の方へ、作家が宛てた質問の手紙。
complex
2014
写真8点、絵葉書7枚、絵葉書の包み、 50 x 50 cm x 2点、26.5 x 10.5 cm x 2点
※医療記録が保管されている「小峰研究所」の写真や絵葉書(すべて小峰和之氏より貸与)。
  • ※1926年に日本でつくられた精神病院を舞台にした無声映画「狂つた一頁」(The Page of Madness)に新しい伴奏をつけてもらう試みと、無声映画「狂つた一頁」に関して行った、ワークショップの記録。

  • ※1926年に日本でつくられた精神病院を舞台にした無声映画「狂つた一頁」(The Page of Madness)に新しい伴奏をつけてもらう試みと、無声映画「狂つた一頁」に関して行った、ワークショップの記録。

  • ※1926年に日本でつくられた精神病院を舞台にした無声映画「狂つた一頁」(The Page of Madness)に新しい伴奏をつけてもらう試みと、無声映画「狂つた一頁」に関して行った、ワークショップの記録。

無声映画にまつわるいくつかの共同制作とワークショップの記録
2014
シングルチャンネルビデオ、サウンド、 3時間58分41秒
ワークショップのドキュメント2点、Ed. 3 (A.P. 1)
私を知る人に会いたい
2014
レーザープリント、 25.5 x 18 cm x 1点、40 x 40 cm x 1点
※今年の始めにニュースになった認知症患者に関する記事と、厚生労働省ウェブサイト上の、各市町村のページに掲載された、身元不明で自分の家を忘れてしまった人々の顔写真。
  • (日本語) 『指示書』2014、ムーミンのメモ帳、ペン、23.3 x 32.5 cm *飯山の妹が執筆

  • (日本語) 『私が幸せだったころ』2014、アルシュ紙、水彩、25.8 x 32 cm

(日本語) 『指示書』『私が幸せだったころ』
(日本語) 2014

(日本語) ※ムーミンの映像作品を制作するにあたって、妹によって書かれたムーミンの物語の指示書、作家によって描かれたドローイングなど。
  • 左『9月5日ごろのメモ』、紙、鉛筆、32.3 x 43.3cm
    右『2013年12月のメモ、ムーミン一家になって海の観音さまに会いにいく』Eダイレクト、プリント6枚、紙5枚、ボールペン、72.3 x 102.5 cm

『9月5日ごろのメモ』『2013年12月のメモ、ムーミン一家になって海の観音さまに会いにいく』
2014

※ムーミンの映像作品を制作するにあたって、作家が妹にインタビューを行った際の書き取りやメモ書き、撮影中のスチルイメージやその他ドローイングなど。
  • 左『ムーミンのドローイング』紙、鉛筆、29.8 x 21 cm *飯山千夏が執筆
    右『9月5日ごろのメモ』、紙、鉛筆、32.3 x 43.3 cm

『ムーミンのドローイング』『9月5日ごろのメモ』
2014

『アルバムから』
2014
写真 x 2点、 各17.5 x 12.5 cm
作家が妹にインタビューを行った際の書き取りの一部


ムーミン一家になって海の観音さまに会いにいく
2014
シングルチャンネルビデオ、サウンド、 21分17秒
スライド撮影集の記録映像
ムーミン一家になって海の観音さまに会いにいく
2014
ポジフィルムのスライド95枚、スライドプロジェクター、
ムーミン一家になって、幻聴や幻覚を再現する試みのスライド。「本当の家を探しに行く」試みを整理していく過程で、最近みている幻聴や幻覚の細部を作家は聞くことになる。それはムーミン一家と一緒に、自分は妖精になって海の観音さまに海の平和をお祈りしに行くという内容だった。床のモニターは『あなたの本当の家を探しに行く』2013
Press release

Tokyo, Japan – waitingroom is pleased to present a solo exhibition, “We walk and talk to search your true home / Moomin Family goes on a picnic to see Kannon,” by Yuki IIYAMA from 9/13 (Sat.) to 10/19 (Sun.), 2014. IIYAMA is a young and emerging artist who graduated from the painting course of Tokyo University of the Arts in 2013, and is exhibiting with us for the first time. At this exhibition, we will present several video works, including which she recreated the scenes and sounds of the hallucinations that a member of her family sees, and the other about the medical records of the mental hospital. Other works include drawings and documents in an installation format.

About the Artist

Yuki IIYAMA was born in Kanagawa in 1988. She graduated from the department of painting at Joshibi University of Arts and Design in 2011 and recently finished her MFA program at Tokyo University of the Arts in 2013. She creates videos, installations, and knit works based on her collection of scrapbooks that she purchases on the online auction site. The characteristic of her work is evident in the way she uses the story from her scrapbook to explore about the artist herself, the people in the past, evidence of events, and all the images and episodes she receives from them. Her recent exhibitions include a solo exhibition, “Steam, Smoke, Grace,” (JIKKA, 2013), a group exhibition, “28zaki Kaihin Exposition Festival,” (Kyu-tamanoi ryokan, Fukuoka, 2013), “identity X,” (nca l nichido contemporary art, Tokyo, 2014) and “First Attacks!” (Space Wunderkammer, Tokyo, 2014).

Exploring the stories of mentalism originating from a family member’s hallucinations

In the recent years, IIYAMA has worked with the historical theme of Hansen’s diseaseleprosy and the Great East Japan Earthquake through the anonymous scrapbooks; however, this time she has focused on her sister’s hallucinations for her motif. Her personal experiences and historical and medical facts of this mental illness that she gained from research, merges and visualizes IIYAMA’s world. And from these works, the viewers may realize that there is no dramatic difference between the worlds of us “normals” and the world of people who suffer from problems like these. As the details of the exhibit, there will be a video work, “We walk and talk to search your home” and another one, “Moomin Family goes on a picnic to see Kannon,” which is an event that her younger sister hallucinates. In the latter work, six members of her family recreate the hallucination that her sister sees. There will be texts and dialogues that have a connection with this slide work also. Other pieces include a video work of the medical records the cases of patients at a mental hospital, a documentary of notes and letters that the artist put together centering around the four core pieces of work created from the multiple perceptions of a Japanese silent film made in 1926.

We all have things that we can do and can’t do. And we can also fill in on each others' needs.

“When one of our family members has hallucinations, the rest of us are irritated and confused, and wait for her to clam down. We wonder what had gone wrong, what part of the last conversation was so upsetting to her. But sometimes, there seems to have been nothing that triggered her hallucinations. We can never understand. She can’t draw out the things that she sees like that famous artist. There are terms like ‘Outsider Art’ special exhibitions are held for those works, but in reality, it may be that it is rarely possible for these people with mental illnesses — this is an expression I hate to use — to express the things that they see. Maybe it’s more common for the people to depend on medical drugs to live, not knowing how to show to express themselves. I think my senses are numbed because I went to an university where everyone around me were capable of creating some form of art. However, after living with my sister again after several years of separation, I realized that not everyone has that talent. And I also realized that we can all fill in for each others’ weaknesses.”
(From the text Yuki IIYAMA, “We walk and talk to search your home.”)

Please come and see the installation space created by the layers of perspectives of the artist herself on this particular theme through her photographs, video works, actual records, relating texts and objects.

Artist
飯山由貴
Yuki IIYAMA