Saya OKUBO "a doubtful reply"

2/24 (Sat.) - 3/25 (Sun.), 2018
Opening Reception : 2/24 (Sat.) 6-8pm

*We are open on Wednesday to Saturday 12-7pm, and Sunday 12-6pm during the exhibition.
*Opening reception is from 6pm to 8pm on Saturday, February 24th, and the artist will be present.
*We are open from 12pm on the opening day before the reception.
Installation View
Works
The short answer is no and yes
2018
oil and acrylic on canvas panel, 1940 × 1303 mm
Sitting an’ thinking
2018
oil and acrylic on canvas panel, 1620 × 1303 mm
His drawing drawing
2018
oil and acrylic on canvas panel, 1620 × 1303 mm
pointing finger
2018
oil and acrylic on canvas panel, 333 × 242 mm
It was impossible to guess whether it meant ‘yes’ or ‘no’
2018
oil and acrylic on canvas panel, 910 × 727 mm
Holy portrait
2017
oil and acrylic on canvas panel, 273 × 220 mm
She is there
2018
oil and acrylic on canvas panel, 803 × 652 mm
She’s dropping
2017
oil and acrylic on canvas panel, 803 × 652 mm
Cracked pot
2018
oil and acrylic on canvas panel, 273 × 220 mm
Portrait
2018
oil and acrylic on canvas panel, 455 × 380 mm
Melancholy
2017
oil and acrylic on canvas panel, 455 x 455 mm
To be done by one person
2017
oil and acrylic on canvas panel, 455 × 380 mm
Cross your arms
2018
oil and acrylic on canvas panel, 410 x 318 mm
His drawing drawing
2017
oil and acrylic on canvas panel, 530 × 455 mm
She's lying
2017
oil and acrylic on canvas panel, 530 × 455 mm
Mr.A was sleeping
2018
oil and acrylic on canvas panel, 1167 × 910 mm
Press release
PDF

Tokyo, Japan – WAITINGROOM is pleased to announce Saya OKUBO Solo Exhibition, “a doubtful reply”, through February 24th to March 25th. OKUBO just finished her master at Kyoto University of Art and Design in 2017 and it is the artist’s first solo exhibition. She talks about her art-making as “an act of exploring the existence of things and human being in the flat space” and creates paintings coexisted both separated elements which are symbolic image represented by outlines and undulation of phenomenal image with materiality. In this exhibition, there will be 14 brand new paintings in different sizes

About the artist

Born in 1992 in Fukuoka, currently lives and works in Kyoto. Graduated from Kyoto University of Art and Design with the Master’s degree in 2017. Her recent exhibitions include a group exhibition “Art Students Exhibition 2017” (2017, SEZON ART GALLERY, Tokyo), group exhibition “movement 2016 – 1st movement -“ (2016, ARTZONE, Kyoto), group exhibition “HERE I AM KUAD×TUNA Exchange Exhibition” (2015, Na paid Art Gallery, Taipei, Taiwan), group exhibition “HOP2015” (2015, Galerie Aube, Kyoto). Even if she is a very young and flesh talent who hasn’t had many exhibitions yet, her work has been brought to attention when she received the Masami Shiraishi Award at the “4th CAF Award” exhibition (2017, Daikanyama Hillside Forum, Tokyo) in fall 2017.

Painting as a place where different layers combine, change and transform

Even if attempts of all sorts have been done and it has already been many years since people said “the painting is dead”, painting is still a category with new possibility and there are still lots of painters trying new approaches. Saya OKUBO who was born in 1990s is also one of the challenging painters who choose the oldest category, painting, with lots of possibilities in this contemporary time where everything can be art.

OKUBO deals with painting as an ambiguous matter that can be both solid and flat and creates her painting mixing with outlines as the ultimate flat expression and abstracted image done by the materiality of the paints. Her lines sometime attempt to erase the motif and she also seems to paint over on the previous image. It looks like an act of exposing all the layers that can be existed in the painting where there might be hidden images in hidden layers as the painter can paints over it. “To let the impression appearing before recognition and its symbolic meaning coexist in the flat space with equal value. Then, to make a painting as a place where different layers combine, change and transform. These are the acts of exploring a singularity that turns a meaningless matter into special thing, and removes names from everything.” OKUBO says. Most of her subject is mainly human figure and it is a very important element for her to search the existence through her expressions.

Today, “Flat space” is not only on a paper and canvas where we can tough, but also the displays of monitors, smartphone, and tablets and additionally the world appearing in those displays. OKUBO says that “we live in the society surrounded by infinite number of displays. We sometimes confuse our reality with flat space. We might feel as if it had been experienced but it is just a phenomenon in this shallow space. Moreover, we might feel that things and people we meet in our everyday life are to be thin. Our perception keeps wavering between a flat space and an object”. What can we perceive from painting after our perception has been changed dramatically? OKUBO is painting as an act of searching this question.


His drawing drawing, 2017, acrylic and oil on wood panel, 1829 x 1329 mm
(The 4th CAF Award, Masami Shiraishi Award)

Artist
大久保紗也
Saya OKUBO