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三宅砂織
Saori MIYAKE
1975 Born in Gifu, Japan
Currently lives and works in Kyoto
WORKS EXHIBITIONS NEWS STATEMENT CV

WORKS

  • Group Exhibition [αM+ vol. 2 My Hole: Hole in Art: Subterraneans and Mirrorless Mirror, Part Ⅱ: Mirrorless Mirror]
    2022
    Installation view

    Venue: gallery αM (Tokyo)
  • Group Exhibition [The Practice of Everyday Practice]
    2021
    Installation view

    Venue: Nagoya University of The Arts Art & Design Center East / West (Aichi) / Photo by Tetsuo Ito
  • Untitled
    2021
    Cyanotype on watercolor paper, 290 x 205 mm
  • Untitled
    2021
    Cyanotype on watercolor paper, 290 x 205 mm
  • Art Fastibal [Oku-Noto Triennale 2020＋]
    2021
    Installation view

    Venue:Suzu Theater Museum (Ishikawa) / Photo by Keizo Kioku
  • The missing shade 59-1
    2021
    gelatin silver print, 260 x 335 mm
  • Residence program・solo exhibition [Artist in Museum Vol.9 Saori Miyake]
    2021
    Installation view

    Venue:The Museum of Fine Arts, Gifu（Gifu, Japan）/Photo by Tetsuo Ito
  • Residence program・solo exhibition [Artist in Museum Vol.9 Saori Miyake]
    2021
    Installation view

    Venue: The Museum of Fine Arts, Gifu（Gifu, Japan）/Photo by Tetsuo Ito
  • The missing shade58-1
    2021
    gelatin silver print, 475 x 385 mm
  • Solo Exhibition "Garden | POTSDAM"
    2019
    Installation view

    Venue：SPACE TGC（Tokyo）
  • The missing shade52-1
    2019
    gelatin silver print, 475 x 385 mm
  • The missing shade53-1
    2019
    gelatin silver print, 475 x 385 mm
  • Group Exhibition “MOT Annual 2019 Echo after Echo : Summoned Voices, New Shadow”
    2019
    installation view
    Venue: The Museum of Contemporary Art Tokyo (Tokyo) / Photo by Kenji Morita
  • The missing shade 51-1
    2019
    gelatin silver print, 475 x 385 mm
  • The missing shade 32-3
    2019
    gelatin silver print, 1050 x 790 mm
  • The missing shade 55-1
    2019
    gelatin silver print, 360 x 478 mm
  • The missing shade 56-1
    2019
    gelatin silver print, 395 x 475 mm
  • Garden (Potsdam)
    2019
    Single channel video, 49min.
  • Group Exhibition “20th DOMANI : The Art of Tomorrow”
    2018
    installation view
    Venue: The National Art Center (Tokyo) / Photo by Shiigi Shizune
  • The missing shade 40-2
    2017
    gelatin silver print, 572 x 478 mm
  • “Art Meets 04 Koichi Tabata / Saori Miyake”
    2017
    installation view
    Venue: Arts Maebashi (Gunma) / Photo by Shinya Kigure
  • The missing shade 24-2
    2017
    gelatin silver print, 508 x 496 mm
  • The missing shade 9-1
    2015
    gelatin silver print, 695 x 1050 mm
  • The missing shade 10-1
    2015
    gelatin silver print, 1940 x 1310 mm
  • The missing shade26-1
    2017
    gelatin silver print, 710 x 1000 mm
  • The missing shade 2-1
    2015
    gelatin silver print, 860 x 1080 mm
  • People of voices, I hear again.
    2013
    Installation, mixed media, gelatin silver print, antique furniture, dimension variable
    photo by Toru UEHARA
  • Something hidden in A
    2012
    installation, Gelatin silver print, Wood panel, Stone, Dimension variable
  • The missing shade25-2
    2017
    gelatin silver print, 495 x 385 mm
  • The missing shade 5-1
    2015
    gelatin silver print, 393 x 590 mm
  • Cats(3)
    2012
    gelatin silver print, 478 x 672 mm
  • Corkscrew Staircases
    2012
    gelatin silver print, 800 x 587 mm
  • Liquid falling
    2013
    gelatin silver print, 343 x 267 mm each (set of 2 works)
  • Two birds
    2013
    gelatin silver print, 267 x 343 mm
  • A woman and birds in television
    2013
    gelatin silver print, 267 x 343 mm
  • Brother
    2012
    Mixed media, collage, 304 x 390 mm
  • Interest
    2011
    gelatin silver print, 540 x 770 mm each (set of 2 works)
  • A story (a man sleeping)
    2011
    gelatin silver print, 457 x 560 mm
  • A story (smoke)
    2011
    gelatin silver print, 457 x 560 mm
/39

EXHIBITIONS

NEWS

STATEMENT

Saori Miyake is interested in how humans direct their gazes towards all kinds of tangible and intangible phenomena, which they then attempt to visualize as images and subsequently share in their realities. Her work is inspired by the daily repetition of this process, in which someone sees an image that has already been seen by someone else. She refers to images that are brewed through such a chain of gazes as “painterly imagery,” with reference to all its multilayered meanings. With the vast number of images flooding our contemporary spaces of living, a large part of our cognition and experience is influenced by painterly imagery. Painterly imagery is, in this sense, something always in flux, influenced by the desires and circumstances of each moment. Her practice of using these phenomena as the source of her work, does not merely reproduce images seen in the past, but rather reflects and questions life in the present in a way that weaves into it the uncertainties of the future.

The photogram is a method that Miyake has been working with for many years as a means of “touching” the countless images that people have shared with each other. Most of the works use existing images that she encountered in various ways as motifs. They are created by drawing multiple drawings on a transparent sheet of paper, which are then superimposed on photographic paper and exposed to develop the shadows of the drawings. This group of works, conceived through a method that traces back to the origin of the shadow as an image, while also investigating the composition of an image from the back side, presents an ambiguous expansion of media, coupled with a depth that invites the viewer to the nether expanses of the image. In recent years, Miyake has also been working on video works that reflect her thinking that has developed through her engagement with photograms and works involving the positioning of found objects. Her attempt to extract the “painterly imagery” inherent in everyone’s gazes has found expanded scope with new forms of expression, allowing our existence, which is at the same time private and social, to emerge polyphonically.

CV

EDUCATION
2000

Kyoto City University of Arts, Master's Degree, Major in Faculty of Fine Arts

1999

Exchange Program : ROYAL COLLEGE OF ART, UK

1998

Kyoto City University of Arts, Bachelor's Degree, Major in Faculty of Fine Arts

SOLO EXHIBITIONS
2021

Artist in Museum AiM Vol.9 Saori MIYAKE, The Museum of Fine Arts, Gifu, atelier, Gifu, Japan

2019

Garden | POTSDAM, SPACE TGC, Tokyo, Japan

2018

White Night, haku, Kyoto, Japan
THE MISSING SHADE 3, WAITINGROOM, Tokyo, Japan

2017

THE MISSING SHADE 2, SAI GALLERY, Osaka, Japan

2015

THE MISSING SHADE, FUKUGAN GALLERY, Osaka, Japan

2013

Found, TAUMARIS/SPACE, Tokyo, Japan
Abstract dislocation, FUKUGAN GALLERY, Osaka, Japan

2011

realities or artifacts, Gallery Nomart, Osaka, Japan

2010

image castings 2, FUKUGAN GALLERY, Osaka, Japan
image castings, GALLERY at lammfromm, Tokyo, Japan

2009

CONSTELLATION 2, Yuka Sasahara Gallery, Tokyo, Japan

2007

Prickle, FUKUGAN GALLERY, Osaka, Japan
CONSTELLATION, Yuka Sasahara Gallery, Tokyo, Japan

2006

Twinkle, FUKUGAN GALLERY, Osaka, Japan

2004

NAZONAZORAI, FUKUGAN GALLERY, Osaka, Japan

2003

Switch on / off, Nomart Edition, Osaka, Japan

2002

Saori Miyake Exhibition, Gallery Coco, Kyoto, Japan
Saori Miyake Exhibition, FUKUGAN GALLERY, Osaka, Japan

2001

Looking for, FUKUGAN GALLERY, Osaka, Japan
Saori Miyake Exhibition, Gallery Coco, Kyoto, Japan

2000

Saori Miyake Exhibition, Gallery Coco, Kyoto, Japan

GROUP EXHIBITIONS
2023

“MEMORIES 01” selected by Yoshiaki Inoue, CADAN YURAKUCHO, Tokyo, Japan
VOCA 30 YEARS STORY / KOBE, Hyogo Prefectural Museum of Art Branch Haradanomori Gallery, Hyogo, Japan

2022

Mirrorless Mirror, gallery αM, Tokyo, Japan

2021

The Practice of Everyday Practice, Nagoya University of the Arts Art & Design Center, Aichi, Japan
Oku-Noto Triennale 2020+ A foremost art festival at the furthest edge of the world, Suzu city, Ishikawa, Japan
MOT Collection: Journals, Museum of Contemporary Art Tokyo, Tokyo, Japan
DELTA, KAYOKOYUKI & Komagome SOKO, Tokyo, Japan
Yebisu International Festival for Art & Alternative Visions 2021 "E-MOTION GRAPHICS - Mami KOSEMURA × Saori MIYAKE", MA2 Gallery, Tokyo, Japan

2020

10TH, WAITINGROOM, Tokyo, Japan
task, ART LAB AICHI, Aichi, Japan
TEN THEMES TO MATCH UP ART, Gunma Museum of Art, Tatebayashi, Gunma, Japan

2019

MOT Annual 2019 Echo after Echo: Summoned Voices, New Shadows, Museum of Contemporary Art Tokyo, Tokyo, Japan
The Voices of Time, Kizunaya Building, Kyoto, Japan
Stone Letter Project #2 Dialogs through the limestones, ESPAI NAU U, Escola Llotja Sant Andreu, Barcelona, Spain
real SOU #2, Ibaraki Honcho Center, Osaka, Japan

2018

SOU Art Project, JR Sojiji Station, Osaka, Japan
MUSUBI, GALERIE DA-END, Paris, France
Hyogo modern 150 years, Hyogo Prefectural Museum of Art, Hyogo, Japan
VOCA 25th project: ALL VOCA, Dai-ichi Life Gallery / Dai-ichi Seimei Hibiya Main Building, Tokyo, Japan
20th DOMANI: The Art of Tomorrow, The National Art Center, Special Exhibition Gallery 2E, Tokyo, Japan

2017

The Riddle of Art: Takahashi Collection, Shizuoka Prefectural Museum of Art, Shizuoka, Japan
NEWSPACE, WAITINGROOM, Tokyo, Japan
ArtMeets04 Koichi TABATA / Saori MIYAKE, Arts Maebashi, Gunma, Japan
Certains Regards à Paris, Représentation du Département de Hyogo, Paris, France

2016

Japan and Belgium International Exchange Exhibition in Kanazawa / WEWANTOSEE, Kanazawa 21st Century Museum, Ishikawa, Japan
La métis du renard et du poulpe, CABANE GEORGINA, Marseille, France
Drawing Lessons, 3331 Arts Chiyoda, Tokyo, Japan

2015

The 51st Exhibition "4 Spirited Artists, Seki City Toko Shinoda Art Space, Gifu, Japan
Why did I laugh tonight?, Gallery Out of Place, Tokyo, Japan

2014

Layering, Gallery Nomart, Osaka, Japan
HANGA-Japanese and Belgian printmaking today, Sint-Niklaas City Museum, Sint-Niklaas City, Belgium
Kokoro (*coeur et esprit), GALERIE JEUNE CRÉATION, Paris, France

2013

The secret lake, Musee Hamaguchi Yozo : Yamasa Collection, Tokyo, Japan
Why not live for Art? II, Tokyo Opera City Art Gallery, Tokyo, Japan
A story of herbor, Creative Center Osaka, Osaka, Japan

2012

New contemporaries, Kyoto City University of Arts Gallery, Kyoto, Japan
NEW PHASE in CONTEMPORARY PAINTING A Curator’s message, Hyogo Prefectural Museum of Hyogo, Hyogo, Japan
HER NAME IS ABSTRA, DAIDO-SOUKO, Kyoto, Japan

2011

Belgium & Japan - Tosei Print Exchange Exhibition in Kyoto, Kyoto City University of Arts Gallery, Kyoto, Japan
TOUGEN, masayoshi suzuki gallery, Aichi, Japan

2010

Aichi Art's Forest, Nagoya Indoor Tennis Club, Aichi, Japan
VOCA -The Vision of Contemporary Art-, The Ueno Royal Museum, Tokyo, Japan

2009

neoneo Part 2 [girls], Takahashi Collection, Tokyo, Japan
Monblanc Yong Artist World Patronage 2009, Monblanc Ginza, Tokyo, Japan

2008

JAPAN NOW, Inter Alia Art Company, Seoul, South Korea
SENJIRU - INFUSION, Galerie Kashya Hildebrand, Zurich, Switzerland
MAXI GRAPHICA / Final destinations, Kyoto Municipal Museum of Art, Kyoto, Japan
Exhibition as media 2008 [LOCUS], Kobe Art Village Center, Hyogo, Japan

2007

in my room, FUKUGAN GALLERY, Osaka, Japan
Art Court Frontier 2007 #5, Art Court Gallery, Osaka, Japan
The Distance called a Plate, Kyoto Art Center, Kyoto, Japan

2006

YSG project vol.1, Yuka Sasahara Gallery, Tokyo, Japan

2005

Look for Florence, Toscana in Nishiki Market, Nishiki Market, Kyoto, Japan
Mitsu, Suna, Ori, Gallery 16, Kyoto, Japan
Independent: Image and Form, Gallery of Aichi Prefectural Museum of Art, Aichi, Japan

2004

art in transit, Palace Side Hotel, Kyoto, Japan

2003

temporary project room exhibitions, Nagoya Zokei Universit, Aichi, Japan

2002

multiple market: Made in Kyoto, Voice Gallery, Kyoto, Japan
Sougaten, Voice Gallery, Kyoto, Japan

2001

Kyoto Selection of Arts and Crafts ~ 2001 New Wave ~, The Museum of Kyoto, Kyoto, Japan
Between The Lines, gallery coco, Kyoto, Japan

2000

Selection of New Works, Kyoto Municipal Museum of Art, Kyoto, Japan
Kobe Art Annual, Kobe Art Village Center, Hyogo, Japan

AWARDS
2016

The Kyoto Prefecture Culture Prize for Effort

2013

JEUNE CREATION-Art Osaka incentive award

2011

Sakuya - konohana award

2010

VOCA AWARD 2010

GRANTS
2016 Japanese Government Overseas Study Program for Artists, Agency for Cultural Affairs, Government of Japan
PUBLICATIONS
Garden (Potsdam), Personal Publishing, Nov. 2020
CATALOGUES AND BROCHURES
αM Project 2020-2021 αM + vol.2 My Hole: Hole in Art: Subterraneans and Mirrorless Mirror, My Hole: Hole in Art, gallery αM [editor] Musashino Art University, University Standards Group, Social Collaboration Team [published by], 31 March, 2023
VOCA 30 YEARS STORY 1994–2023, Committee for the VOCA Exhibition, The Ueno Royal Museum, 2023
DOMANI: The Art of Tomorrow 1998–2021, Agency for Cultural Affairs, Japan, 2022
The Practice of Everyday Practice, Nagoya University of the Arts Art & Design Center, March 2022
Artist in Museum vol.1–vol.10, The Museum of Fine Arts, Gif, March 2022
MOT Annual 2019 Echo after Echo: Summoned Voices, New Shadows, Museum of Contemporary Art Tokyo, 20 January 2020
20th DOMANI: The Art of Tomorrow, Agency for Cultural Affairs, Japan, 2018
The Riddle of Art: Takahashi Collection, Shizuoka Prefectural Museum of Art, 21 December 2017
Art Meets 04, Arts Maebashi, 31 March 2017
HANGA, Stedelijke Musea Sint-Niklaas, Belgium, March 2017
Secret Lake, Musee Hamaguchi Yozo: Yamasa Collection, June 2013
Abstra and 12 Artists, Abstra Executive Committee, 2013
New Contemporaries, Kyoto City University of Arts Art Gallery @KCUA, 24 March 2012
Message from the Curator 2012 - Contemporary Paiting Now -, Hyogo Prefectural Museum of Art, 2012
BYE BYE KITTY!!!, JAPAN SOCIETY, Yale University Press, America, 2011
Aichi art no mori - The future of Aichi where art opens, Aichi art no mori Executive Committee, March 2010
VOCA 2010, VOCA Exhibition Executive Committee, Ueno Royal Museum, 2010
ART INITIATIVE PROJECT EXHIBITION AS MEDIA 2008 LOCUS, Kobe Art Village Center [KAVC] , 31 March 2009
MAXI GRAPHICA / Final Destinations, MAXI GRAPHICA Executive Committee, September 2008
JAPAN NOW, Inter Alia Art Company, Korea, April 2008
Independent - Image and Format, NAGOYA Independent - Image and Format Executive Committee, 2005
ispa JAPAN Kyoto Conference Kansai contemporary print pioneers and new generations The power of print, ispa JAPAN Kyoto Conference Executive Committee, November 2004
Kyoto Prefectural Art and Crafts Selection Exhibition 2001 New Wave, Museum of Kyoto, 2001
Kobe Art Annual 2000 ra to hi - naked and covered, Kobe Art Village Center [KAVC], 2001
ARTICLES
HG Masters “Roots and Routes of Connection: Art Week Tokyo 2023”, ART ASIA PACIFIC, ArtAsiaPacific, 6 November 2023, https://artasiapacific.com/market/roots-and-routes-of-connection-art-week-tokyo-2023?fbclid=IwAR2Tfrq_trgsSI8xSAO0z6lELUUCEPiw707m2Yt8v8sPq0lKW4afvg3upAY
Angel Lambo “What to See During Art Week Tokyo”, FRIEZE, FRIEZE, 3 November 2023, https://www.frieze.com/article/what-see-art-week-tokyo-2023
Vivienne Chow “Art Week Tokyo’s Third Edition Boasts ‘Glocal’ Ambitions to Bridge Japanese Contemporary Art With the International Market”, artnet, Artnet Worldwide Corporation., 2 November 2023, https://news.artnet.com/market/art-week-tokyo-2023-2388688
Dan Abbe “Saori Miyake’s Shadow work Explore the best of the city’s galleries with Art Week Tokyo this November”, TOKYO TIME, The Art Newspaper, November 2023
Maki Nishida, Lana Fritsch, Jeffery Ian Rosen, Dan Abbe “Five essential exhibitions to visit during Art Week Tokyo”, THE ART NEWAPAPER. 30 October 2023, https://www.theartnewspaper.com/2023/10/30/five-essential-exhibitions-to-see-during-art-week-tokyo
[On View] “ART WEEK TOKYO”, Flash Art, Flash Art, 25 October 2023, https://flash---art.com/2023/10/art-week-tokyo/
Shanyu Zhong “5 Must-See Exhibitions During Art Week Tokyo”, OCULA, Ocula Limited, 25 October 2023, https://ocula.com/magazine/features/5-must-see-exhibitions-during-art-week-tokyo/
Muru Yamada “30th Anniversary Commemorative Exhibition of "VOCA Exhibition"—A Showcase of Diverse Expressions and Techniques.　A gateway to success for young artists reflecting trends.”, Mainichi Shimbun, Mainichi Newspapers Co., Ltd., 17 April 2023, p5 / https://mainichi.jp/articles/20230417/dde/014/040/003000c
“Prints, Photographs, NFT—Reproduction Technology and Art”, Art Collectors, No.158, Seikatsu no Tomo Sha, May 2022, p.50
Ryosuke Sakato "The World Seen through "Trace", Hanga Geijutsu, No.195, Abe Publishing Ltd., 2022 spring, pp.26-33
Reona Katada “A sense of ‘self in the workspace’”, Chunichi Shinbun, Chunichi Shimbun Co., Ltd., 22 March 2021, p.12
Rumi Ohori “Garden Scenery: A New Visual Expression”, Gifu Shimbun, Gifu Shimbunsha, 20 March 2021
“special feature: Hanga Chronicle 2000-2020”, Hanga Geijutsu, No.189, Abe Publishing Ltd., 2020 autumn, p.30
Kenta Ishige “The voices made in the past go to the next decade. Kenta Ishige commentary - MOT Annual 2019 Echo after Echo: Summoned Voices, New Shadows”, web Bijutsu Techo, Culture Convenience Club, 27 April 2020, https://bijutsutecho.com/magazine/review/21732
Mahiro Yasuhara [interviewer] “A pictorial image that reflects a polyphonic gaze, Interview with Saori Miyake”, web Bijutsu Techo, Culture Convenience Club, 12 February 2020, https://bijutsutecho.com/magazine/interview/21326
Takahumi Kato “The Voices of Time, Takashi Kunitani, Saori Miyake”, HAPS Press, HAPS, 5 December 2019, http://haps-kyoto.com/haps-press/exhibition_review/2019_09/
Arata Hayashida “Trace of shadows overlaid with depiction”, Nikkei Shinbun, NEWS SERVICE NIKKEI, 19 December 2018, p.14
[Front Cover] Cheryl Misak [written by], Takafumi Kato [translation], How to walk pragmatism, Guide to American philosophy for the 21st century, Keiso Shobo, November 2019
Yasuhiro Yamauchi “Mystery of photogram”, Pen, No.449, CCC MEDIA HOUSE, 15 April 2018, pp.74-75
Tatsuo Matsuyama, Print, beauty of “Space”, Abe Publishing Ltd., 15 October 2017, p.292
Fumihiko Sumitomo “Curator’s Note: Arts Maebashi ‘Art Meets 04 Tabata Kouichi / Saori Miyake’”, artscepe, DNP art communications, 15 May 2017, http://artscape.jp/report/curator/10135542_1634.html
Yuka Shimizu “Entangled of space-time and gaze”, Mainichi Shinbun, Mainichi Newspapers Co., Ltd., 22 March 2017
“Art Award Grand Prix Bulletin”, Bijutsu no mado, No.401, Seikatsu no Tomosha, February 2017
Kotaro Iisawa “artscape review: Saori Miyake / Masami Yamamoto ‘Why did I laugh tonight?’”, artscape, DNP art communications, 19 November 2015,http://artscape.jp/report/review/10117571_1735.html
Satoru Aki “Saori Miyake: THE MISSING SHADE”, Nikkei Shinbun, NEWS SERVICE NIKKEI, 31 July 2015
Shuji Takashina, Throb of Nippon Art, Kodansha, 24 April 2015, pp.72-73
[Published as illustrations] Mariko Yamauchi "Story", Hana Tsubaki, Shiseido, January 2014
Kotaro Iisawa " artscape review: Yozo Hamaguchi, Shoko Ikeuchi, Naoyo Fukuda, Saori Miyake -Secret Lake-", artscape, DNP art communications, 28 July 2013, http://artscape.jp/report/review/10090215_1735.html
Kazuo Amano “What is the place of modern painting?”, Art Rumble, vol.37, Hyogo Prefectural Museum of Art, 25 December 2012
Mirai Kimura “Various expression methods”, Yomiuri Shimbun, The Yomiuri Shimbun, 18 December 2012
Chiaki Kamiya “Exploring the essence and possibilities of painting”, Kobe Shinbun, The Kobe Shimbun, 8 December 2012
Yoshiki Sakashita “Questioning, Looking at the tide of expression”, Sankei Shinbun, Sankei Shimbun Co.,Ltd., 30 Nov. 2012
Kumi Okumura “Hospitality Art”, HERS, Kobunsha, Oct. 2012
“Contemporary Print Japan Under 40 years old”, Hanga Geijutsu, No.154, Abe Publishing Ltd., 2011 winter, p.73
Mirai Kimura “Photogram - Enjoy fantasy”, Yomiuri Shinbun, The Yomiuri Shimbun, 25 October 2011
Yoshiki Sakashita “Visibility behind the light”, Sankei Shinbun, Sankei Shimbun Co.,Ltd., 7 October 2011
[Front cover] Paul Auster [written by], Motoyuki Shibata [translation], Book of Illusion, Shincho Bunko, October 2011
Kaori Maruyama “The prints you want - Eternity and moments drawn by the incarnation of light”, Gekkan Bijutsu, No.426, Sun Art/Jitsugyo no Nihon Sha, March 2011, pp.26-27
[Front cover] Shuji Takashina “Secret story, From the field of contemporary art”, Hon, Kodansha, February 2011
Yuri Mitsuda “Saori Miyake’s drawing photo”, Hanga Geijutsu, No.148, Abe Publishing Ltd., 2010 summer, pp.90-95
“The forefront of young excavation 5”, Bijutsu no mado, No.321, Seikatsu no Tomosha, June 2010
“Ask the award-winning author”, Gekkan Bijutsu, Sun Art/Jitsugyo no Nihon Sha, May 2010
Toshiro Iwamoto, “Mold the senses with light”, Kyoto Shinbun, The Kyoto Shimbun Co.,Ltd., 17 April 2010
“Objection/Contemporary Art” Bijutsu no mado, No.319, Seikatsu no Tomosha, April 2010
Mari Nakayama “Japanese female artist”, madame FIGARO japon, No. 405, Hankyu Communications, 5 March 2010, p. 171
“NEWS VOCA”, Bijutsu Techo, No.934, Bijutsu Shuppan Sha, March 2010, p.178
Sayaka Tezuka “Consciousness: Sensitive to shake spacetime”, Mainichi Shimbun, Mainichi Newspapers Co., Ltd. 24 March 2010
Mizuki Tanaka “VOCA 2010 Interview with Saori Miyake”, CINRA.NET, CINRA, Inc., 8 February 2010, https://www.cinra.net/article/interview-2010-02-08-000000-php
“Ask Saori Miyake”, Gekkan Gallery, Gallery Station, February 2010
“Award”, Kyoto Shinbun, The Kyoto Shimbun Co.,Ltd., 26 December 2009
Yasuyuki Nakai “curator’s report: Exhibition as media 2008 [LOCUS]”, artscape, DNP art communications, 1 December 2008, http://www.dnp.co.jp/artscape/exhibition/curator/nk_0812.html
“Floating Generation: Evolving Japanese Art II”, ART iT, No.18, ART iT, w/s issue 2008
Chieko Kinoshita “Meets the Culture Hi-topics ART”, Meets Regional, KEIHANSHIN Lmagazine Co., Ltd, December 2008
“108 Japanese new generation artist heading to the future from the 2000s”, Bijutsu Techo, No.909, Bijutsu Shuppan Sha, July 2008
“Saori Miyake Galaxy boat night”, Geijutsu Shincho, No.696, Shincho Sha, December 2007
Yumi Yamaguchi “Handsome Art Seminar What is the price of art?”, zino, KI&Company, December 2007
Kansai Prints 1950’s-2000’s, Yasuhiko Okumura, Hideki Kimura, Sahoko Shimizu, Yoshihiro Nakatani, Tetsuo Miki, Kunio Motoe, Bigaku Shuppan Sha, 17 October 2007
Yayoi Kojima “How to meet art you want to live with?”, ELLE Japon, No.274, Hachette Fujingaho Collections, August 2007
“Newcomer Special”, Bijutsu Techo, No.883, Bijutsu Shuppan Sha, July 2006
Tadashi Kanai “gallery review”, Bijutsu Techo, No.876,  Bijutsu Shuppan Sha, February 2006
Hisako Hara “CrazyFantasy”, STUDIO VOICE, Vol.357, INFAS publications, September 2005
Maho Fukagaya “Pleasant feeling”, Kyoto Shimbun, The Kyoto Shimbun Co.,Ltd., 8 November 2003
Yasuo Miwaki “What art is most needed now”, Hanga Geijutsu, No.120, Abe Publishing Ltd., 2003, pp.94-95
“ESQUISSE Saori Miyake”, PARFUM, No.120, Parfum Co.,Ltd., 2002
PUBLIC COLLECTIONS
Museum of Contemporary Art Tokyo
Kyoto City University of Arts
Hyogo Prefectural Museum of Art
Machida City Museum of Graphic Arts
Monblanc Japan
THE DAI-ICHI LIFE INSURANCE COMPANY
Chishima Real Estate Co., Ltd
Takahashi Ryutaro Collection
Ewing Gallery of Art & Architecture, The University of Tennessee
ARTIST WEBSITE
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